Imprint: Uitgeverij
Published: 12/02/2014
Pen in the Park is a unique revolutionary children’s book written by Raşel Meseri and illustrated by Sanne Karssenberg. Meseri narrates the Gezi Park protests in Istanbul through the figure of a penguin named Pen, whogoes on a trip from Antarctica to Gezi Park to save his fellow penguins, and gets involved in various adventures with[…]
Imprint: Uitgeverij
Published: 10/14/2014
“The brutality of symbol is visual war. The maze confuses the poetic solitude of the verbal impressed in the pragmatic obol. Manifesto, nervous reflex of language out of control but not without focus, unexpectedly touches the reaction converting the suit interpret-action roar of consciousness. Phonemes-hoplites, the galvanized armor prepares the final siege, it is time[…]
Published: 08/30/2014
Repetitions / Vampires & A Reasonable Dictionary [2 vols.] by Scott Abbott and Žarko Radaković (translation of portions of Repetitions by Ivana Djordjević; translation of Vampires by Alice Copple-Tošić) See Vol. 1: Repetitions HERE. As a follow-up to their first collaboration Repetitions (published in Belgrade in 1994, and in English by punctum in 2013), in 2008[…]
Imprint: Dead Letter Office
Published: 12/28/2014
David Pol presents an ontology of war in the form of the lyric poem. “Do you hear what I’m shooting at you?” In I Open Fire, all relation is warfare. Minefields compromise movement. Intention aims. Touch burns. Sex explodes bodies. Time ticks in bomb countdowns. Sound is sirens. Plenitude is debris. All of it under[…]
Imprint: Dead Letter Office
Published: 02/08/2015
[Given, If, Then] attempts to conceive a possibility of reading, through a set of readings: reading being understood as the relation to an Other that occurs prior to any semantic or formal identification, and, therefore, prior to any attempt at assimilating, or appropriating, what is being read to the one who reads. As such, it[…]
Imprint: Peanut Books
Published: 12/10/2014
ACTION — as in begin, genesis, motion — is a collection of poems ultimately concerned with form, those lines drawn in the sand that give way to the profanity of the holy, the holiness of the profane. Throughout ACTION, Opal engages the constraints inherent to seemingly fixed forms. From living with rheumatoid arthritis, to feeling[…]
Published: 11/11/2014
Peter Valente’s first encounter with Sandro Penna’s poetry was while translating Pier Paolo Pasolini. At the time, Valente was reading a biography on Pasolini and learned of his close friendship with Penna. Pasolini insisted that among serious readers of poetry, Penna could not be ignored. Born in Perugia on June 12, 1906, Sandro Penna lived[…]
Imprint: Dead Letter Office
Published: 01/26/2015
Read a review of Escargotesque in Digital America HERE. “Experience” is a concept paradoxically deployed to accentuate the aconceptual. Although thinking, knowing, reflecting, and analyzing are kinds of experiences, invocations of “experience” typically direct our attention to what is immediate, embodied, unrepresented, unthought, even unthinkable. And yet, whether by learning experience, traumatic experience, life experience,[…]